'Much like the proponents of Minimalism, Richardson chose to master an industrial material: cutting large sheets of commercial-grade glass in their raw form into shapes that he refines by literally chiseling the edges, allowing his sculptures to interaction with the light.' Read the rest of Curator's View, by Shlomit Dror and Annelien Bruins, by clicking here.
Postcards from Miami
Untitled, 2016 (chiseled glass)
Photo: Ava Lindenmaier
"Much like the proponents of Minimalism, Richardson chose to master an industrial material: cutting large sheets of commercial-grade glass in their raw form into shapes that he refines by literally chiseling the edges. His sculptures are formed by fusing these smaller fragments together, using a high-intensity light welding process. In a way, Richardson treats the glass as if it were stone: resulting in sculptures with flowing shapes and rhythms that transform as a result of their interaction with light." Read more.